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Rylance, Mark

Encyclopædia Britannica, Inc.

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RE-READING CINEMA OF PERESTROIKA: BEYOND SOCIO-HISTORICAL TRAUMA WITH OLGA ZHUKOVA AND ISKRA BABICH

Druzboslovne Razprave, Apr 2017, Vol.33(84), pp.49-65 [Peer Reviewed Journal]

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SOVIET PERIOD FILMS IN TODAY'S COPYRIGHT LAW: GERMAN AND BALTIC EXPERIENCE

Trames : A Journal of the Humanities and Social Sciences, 2014, Vol.18(3), pp.199-219 [Peer Reviewed Journal]

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10
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Modernist Women and Cinema

Przeglad Kulturoznawczy, 2015, Issue 21, pp.285-299 [Peer Reviewed Journal]

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The René Clair Moment and the Overlap Films of the Early 1930s: Detlef Sierck's April, April!

Film Criticism, Winter 1999, Vol.23(2/3), pp.33-45,176 [Peer Reviewed Journal]

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The Outsider Within: Béla Tarr and Hungarian National Cinema

Hungarian Cultural Studies, 2016, Vol.9, pp.90-100

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13
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motion picture, history of the

Encyclopædia Britannica, Inc.

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"THE RETURN OF THE SACRED": IMPLICIT RELIGION AND INITIATION SYMBOLISM IN ZVYAGINTSEV'S VOZVRASHCHENIE (2003)

Journal for the Study of Religions and Ideologies, Winter 2015, Vol.14(42), pp.198-230 [Peer Reviewed Journal]

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Global Catastrophe in Motion Pictures as Meaning and Message: The Functions of Apocalyptic Cinema in American Film

Journal of Religion and Film, Apr 2017, Vol.21(1), pp.0_1,1-35 [Peer Reviewed Journal]

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Balanchine, George

Encyclopædia Britannica, Inc.

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