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The Displaced ‘Dispositif’

Avant: Journal of Philosophical-Interdisciplinary Vanguard, 01 November 2017, Vol.8(S), pp.213-220 [Peer Reviewed Journal]

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Soundless Speech/ Wordless Writing: Language and German Silent Cinema

Imaginations: Journal of Cross-Cultural Media Studies, 01 December 2010, Vol.1(1), pp.40-71 [Peer Reviewed Journal]

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Of Artists and Models. Italian Silent Cinema between Narrative Convention and Artistic Practice

Acta Universitatis Sapientiae. Film & Media Studies, 2013, Issue 7, pp.97-110 [Peer Reviewed Journal]

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Encountering sound: the musical dimensions of silent cinema

Journal of Aesthetics & Culture, 01 January 2018, Vol.10(1) [Peer Reviewed Journal]

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5
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"So oft to the movies they've been": British fan writing and female audiences in the silent cinema

Transformative Works and Cultures, 01 March 2011, Vol.6 [Peer Reviewed Journal]

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Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema

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GERMAN CINEMA OF THE 1920TH IN RUSSIAN AND FOREIGN SCIENCE OF THE XXTH CENTURY: TRADITIONAL AND NEW APPROACHES

Вестник Мининского университета, 01 September 2017, Issue 1-2 [Peer Reviewed Journal]

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Garibaldi e l’epopea garibaldina nel cinema muto italiano. Dalle origini alla I guerra mondiale / Garibaldi and the Representation of Garibaldi in italian silent Cinema: from its Beginning to the World War One

Storicamente, 01 March 2011, Vol.7, p.16 [Peer Reviewed Journal]

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9
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The face of others, the taste of things: Photogenie and sensation in silent cinema

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Monumental melodrama: Mikhail Kalatozov’s retrospective return to 1920s agitprop cinema in I am Cuba

Anuari de filologia. Llengües i literatures modernes, 2013, Issue 3

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