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LA INVENCIÓN DE LA FAMILIA: SUPERVIVENCIA, ANACRONISMO Y FICCIÓN EN LA FOTOGRAFÍA FAMILIAR DEL PRIMER FRANQUISMO/INVENTION OF FAMILY: SURVIVAL, ANACHRONISM AND FICTION IN FAMILY PHOTOGRAPHY DURING FRANCOISM

Espacio, Tiempo y Forma, 2015, Issue 3, pp.163-189 [Peer Reviewed Journal]

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Arts in health revisited: A sketch of art practices in ancient and contemporary Chinese healthcare from an intercultural perspective

Cogent Arts & Humanities, 31 December 2016, Vol.3(1) [Peer Reviewed Journal]

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Ancestral bodies to universal bodies—The “re-enchantment” of the mummies of the Capuchin Catacombs in Palermo, Sicily

Cogent Arts & Humanities, Jan 2018, Vol.5(1) [Peer Reviewed Journal]

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The Pilagá of the Argentine Chaco through an exoticizing and ethnographic lens: The Swedish documentary film Following Indian trails by the Pilcomayo River

Journal of Aesthetics & Culture, 01 January 2013, Vol.5(1) [Peer Reviewed Journal]

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The Historical Visual Economy of Photography in Burma

Bijdragen tot de Taal-, Land- en Volkenkunde, 2014, Vol.170(2-3), pp.281-312 [Peer Reviewed Journal]

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Embodied meaning and art as sense-making: a critique of Beiser's interpretation of the “End of Art Thesis”

Journal of Aesthetics & Culture, 01 January 2016, Vol.8(1) [Peer Reviewed Journal]

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The Journal Block and Its Art School Context

Arts, Dec 2018, Vol.7(4) [Peer Reviewed Journal]

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by this Author/Contributor:

  1. Mariana Giordano
  2. Giladi, P.
  3. Gustavsson, Anne
  4. Giladi, Paul
  5. Polzer, Natalie

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