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Photogenic Venus: The "Cinematographic Turn" and Its Alternatives in Nineteenth-Century France

Canales, Jimena. 2002. Photogenic Venus: The "cinematographic turn" and its alternatives in nineteenth-century France. Isis 93, no. 4: 585-613. [Peer Reviewed Journal]

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L’histoire photographique de l’Amérique selon Robert Taft (Photography and the American Scene, 1938)

E-REA, 01 June 2011, Vol.8(3)

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Death and Rebirth in Photography: Palazzo Ducale, Venice by the Fratelli Alinari

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Perfect Child, Perfect Faith: Raising Children in Nineteenth-Century Religious Communities

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Nudity, Sexuality, Photography. Visual Redefinition of the Body

Qualitative Sociology Review, Apr 2018, Vol.14(2), p.96 [Peer Reviewed Journal]

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Queen Victoria and her four eldest children: an historical analysis of nineteenth-century family photographs

Encyclo. Revue de l'école doctorale ED 382, 15 December 2017

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On the “direction des hommes de goût”: French Publishers’ Reactions to Photography (1874-1896)

Revue française d'histoire du livre, 2015, Issue 136, pp.167-191

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LA INVENCIÓN DE LA FAMILIA: SUPERVIVENCIA, ANACRONISMO Y FICCIÓN EN LA FOTOGRAFÍA FAMILIAR DEL PRIMER FRANQUISMO/INVENTION OF FAMILY: SURVIVAL, ANACHRONISM AND FICTION IN FAMILY PHOTOGRAPHY DURING FRANCOISM

Espacio, Tiempo y Forma, 2015, Issue 3, pp.163-189 [Peer Reviewed Journal]

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El retrato fotográfico en la Buenos Aires decimonónica: la burguesía se representa a sí misma The photographic portrait in nineteenth century Buenos Aire's: the bourgeoisie represents itself

Varia História, 01 June 2006, Vol.22(35), pp.39-53

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Después de las utopías, la nostalgia: El siglo XIX y su recepción en el siglo XX

Anales del Instituto de Investigaciones Estéticas, 01 November 2014, Vol.36(105), pp.9-38 [Peer Reviewed Journal]

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