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1 |
Material Type: Article
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Exploded views: early cinema and the spectacular logic of the explosionDuncan, PansyScreen. Volume 59:Issue 4 (2018); pp 401-419 -- Oxford University PressOnline access |
2 |
Material Type: Article
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The sound of pomegranates: poetic cinema as a foreign languageOeler, KarlaScreen. Volume 59:Issue 4 (2018); pp 531-541 -- Oxford University PressOnline access |
3 |
Material Type: Article
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Multimedia identities: an analysis of How Tasty Was My Little FrenchmanNagib, LúciaScreen. Volume 60:Issue 1 (2019); pp 160-171 -- Oxford University PressOnline access |
4 |
Material Type: Article
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From manga to film: gender, precarity and the textual transformation of Air DollLewis, Diane WeiScreen. Volume 60:Issue 1 (2019); pp 99-121 -- Oxford University PressOnline access |
5 |
Material Type: Article
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Montage/mediation/publicity: Far from VietnamFresko, DavidScreen. Volume 60:Issue 1 (2019); pp 70-98 -- Oxford University PressOnline access |
6 |
Material Type: Article
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Garrett Stewart, Closed Circuits: Screening Narrative SurveillanceKammerer, DietmarScreen. Volume 60:Number 1 (2019, February); pp 187-190 -- Oxford University PressOnline access |
7 |
Material Type: Article
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Multimedia identities: an analysis of How Tasty Was My Little FrenchmanNagib, LúciaScreen. Volume 60:Number 1 (2019, February); pp 160-171 -- Oxford University PressOnline access |
8 |
Material Type: Article
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Jennifer L. Feeley and Sarah Ann Wells (eds), Simultaneous Worlds: Global Science Fiction CinemaArtt, SarahScreen. Volume 59:Issue 4 (2018); pp 556-558 -- Oxford University PressOnline access |
9 |
Material Type: Article
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Forms of multilingualism: IntroductionMamula, TijanaScreen. Volume 59:Issue 4 (2018); pp 506-511 -- Oxford University PressOnline access |
10 |
Material Type: Article
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Notes to ContributorsScreen. Volume 60:Issue 1 (2019); pp 195-195 -- Oxford University PressOnline access |