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Uses and social meanings of post-mortem photography in Colombia

Universitas Humanística, 2013, Vol.75(75) [Peer Reviewed Journal]

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Rhetorics of War in the Arts, A Century of War (1917-2017). Bucharest, Rhetorics of War in the Arts International Conference

Kome, 2017, Vol.5(2), pp.81-84 [Peer Reviewed Journal]

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Art in the Age of Machine Intelligence†

Arts, 2017, Vol.6(4), p.18 [Peer Reviewed Journal]

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Visual Frictions

Journal of Aesthetics and Culture, 2015, Vol.7 [Peer Reviewed Journal]

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Negotiating the past: addressing Sámi photography

Journal of Aesthetics and Culture, 2018, Vol.10(1), pp.1-2 [Peer Reviewed Journal]

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Negotiating the past: addressing Sámi photography

Journal of Aesthetics and Culture, 2018, Vol.10(4), pp.1-2 [Peer Reviewed Journal]

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The Body Which is Truly Ours. A Brief Three-Stage Approach to Mass Society Through Photography.

Area Abierta, 2018, Vol.18(1), pp.131-146 [Peer Reviewed Journal]

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Thinking and Making: Art and Craft in Library of Congress Classification

Library Philosophy and Practice, Dec 2015, pp.0_1,1-14 [Peer Reviewed Journal]

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Traces of humanity: Echoes of social and cultural experience in physical objects and digital surrogates in the University of Victoria Libraries

Cogent Arts & Humanities, 31 December 2016, Vol.3(1) [Peer Reviewed Journal]

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Sally Mann's American vision of the land

Journal of Art Historiography, Dec 2017, Issue 17, pp.1-26

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by this Author/Contributor:

  1. Lien, Sigrid
  2. Nielssen, Hilde Wallem
  3. Botz-Bornstein, Thorsten
  4. Gordon Lanning, Robbyn
  5. Giladi, Paul

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