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Victoria Duckett (ed.), Seeing Sarah Bernhardt: Performance and Silent Film

Burrows, Jon

Nineteenth century theatre and film. Volume 43:Issue 1 (2016); pp 122-125 -- SAGE Publications

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Grangerising Theatre’s Histories: Spectatorship, the Theatrical Tinsel Picture and the Grangerised Book

Hindson, Catherine

Nineteenth century theatre and film volume 42 issue 2 page 195 -- Sage Publications

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Michael Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York

Hambridge, Katherine

Nineteenth century theatre and film volume 42 issue 2 page 246 -- Sage Publications

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The Spectacle Within: Symbolist Painting and Minimalist Mise-en-Scène

Taroff, Kurt

Nineteenth century theatre and film volume 42 issue 2 page 211 -- Sage Publications

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Investigating Early Film and the Nineteenth-Century Theatre

Weltman, Sharon Aronofsky

Nineteenth century theatre and film volume 42 issue 2 page 119 -- Sage Publications

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Rethinking Early Cinematic Adaptations: Death of Poor Joe (1901)

Hasenfratz, Bob

Nineteenth century theatre and film volume 42 issue 2 page 124 -- Sage Publications

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From Byron to Byron: Mazeppa and the Tartars in Nineteenth-Century British Theatre

Morosetti, Tiziana

Nineteenth century theatre and film volume 42 issue 2 page 228 -- Sage Publications

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‘Two and the Same’: Jack the Ripper and The Melodramatic Stage Adaptation of Strange Case of Dr Jekyll and Mr Hyde

Winter, Sarah A.

Nineteenth century theatre and film volume 42 issue 2 page 174 -- Sage Publications

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Thomas Anstey Guthrie’s Madhouse Shuffle: Steps toward a nightmare scenario

Merchant, Peter

Nineteenth century theatre and film volume 42 issue 2 page 146 -- Sage Publications

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Mark Napolitano, Oliver! A Dickensian Musical

Fleming, Patrick C.

Nineteenth century theatre and film volume 42 issue 2 page 250 -- Sage Publications

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