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Exploded views: early cinema and the spectacular logic of the explosion

Duncan, Pansy

Screen. Volume 59:Issue 4 (2018); pp 401-419 -- Oxford University Press

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The sound of pomegranates: poetic cinema as a foreign language

Oeler, Karla

Screen. Volume 59:Issue 4 (2018); pp 531-541 -- Oxford University Press

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Multimedia identities: an analysis of How Tasty Was My Little Frenchman

Nagib, Lúcia

Screen. Volume 60:Issue 1 (2019); pp 160-171 -- Oxford University Press

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From manga to film: gender, precarity and the textual transformation of Air Doll

Lewis, Diane Wei

Screen. Volume 60:Issue 1 (2019); pp 99-121 -- Oxford University Press

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Montage/mediation/publicity: Far from Vietnam

Fresko, David

Screen. Volume 60:Issue 1 (2019); pp 70-98 -- Oxford University Press

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Garrett Stewart, Closed Circuits: Screening Narrative Surveillance

Kammerer, Dietmar

Screen. Volume 60:Number 1 (2019, February); pp 187-190 -- Oxford University Press

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Multimedia identities: an analysis of How Tasty Was My Little Frenchman

Nagib, Lúcia

Screen. Volume 60:Number 1 (2019, February); pp 160-171 -- Oxford University Press

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Jennifer L. Feeley and Sarah Ann Wells (eds), Simultaneous Worlds: Global Science Fiction Cinema

Artt, Sarah

Screen. Volume 59:Issue 4 (2018); pp 556-558 -- Oxford University Press

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9
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Screen : the journal of the Society for Education in Film and Television.

London : Society for Education in Film and Television, [1969?]- Oxford : Oxford University Press

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Forms of multilingualism: Introduction

Mamula, Tijana

Screen. Volume 59:Issue 4 (2018); pp 506-511 -- Oxford University Press

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