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Performativity and Gender in Alice Guy's La Vie du Christ

Film Criticism, Fall 1998, Vol.23(1), pp.6-17,84 [Peer Reviewed Journal]

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The Dimensional Image: Overlaps in Stereoscopic, Cinematic, and Digital Depth

Film Criticism, Spring-Fall 2013, Vol.37/38(3/1), pp.117-137,167 [Peer Reviewed Journal]

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Postwar Hollywood Representations of New Zealand

Film Criticism, Spring 2001, Vol.25(3), pp.6-21,70 [Peer Reviewed Journal]

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Guest Editor's Introduction: Genealogical and Archaeological Approaches to 3-D

Film Criticism, Spring-Fall 2013, Vol.37/38(3/1), pp.6-11,168 [Peer Reviewed Journal]

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The Holocaust in the Text: Victor Hugo's Les Misérables and the Allegorical Film Adaptation

Film Criticism, Fall 2002, Vol.27(1), pp.50-65,84 [Peer Reviewed Journal]

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"A Working Class Hero(ine) Is Something to Be": Affliction, The Dreamlife of Angels, and the Naturalist Tradition

Film Criticism, Fall 2002, Vol.27(1), pp.36-49,84 [Peer Reviewed Journal]

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Tangible Specters: 3-D Cinema in the 1910s

Film Criticism, Spring-Fall 2013, Vol.37/38(3/1), pp.87-116,168 [Peer Reviewed Journal]

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Trapped in the Present: Time in the Films of Wong Kar-Wai

Film Criticism, Winter 2000/2001, Vol.25(2), pp.2-20,78 [Peer Reviewed Journal]

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The Vicarious Look, or Andy Warhol's Apparatus Theory

Film Criticism, Winter 2014/2015, Vol.39(2), pp.25-52,159 [Peer Reviewed Journal]

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Sensual Vision: 3-D, Medieval Art, and the Cinematic Imaginary

Film Criticism, Spring-Fall 2013, Vol.37/38(3/1), pp.60-85,167-168 [Peer Reviewed Journal]

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