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Performativity and Gender in Alice Guy's La Vie du Christ

Film Criticism, Fall 1998, Vol.23(1), pp.6-17,84 [Peer Reviewed Journal]

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The Dimensional Image: Overlaps in Stereoscopic, Cinematic, and Digital Depth

Film Criticism, Spring-Fall 2013, Vol.37/38(3/1), pp.117-137,167 [Peer Reviewed Journal]

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Postwar Hollywood Representations of New Zealand

Film Criticism, Spring 2001, Vol.25(3), pp.6-21,70 [Peer Reviewed Journal]

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Guest Editor's Introduction: Genealogical and Archaeological Approaches to 3-D

Film Criticism, Spring-Fall 2013, Vol.37/38(3/1), pp.6-11,168 [Peer Reviewed Journal]

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The Holocaust in the Text: Victor Hugo's Les Misérables and the Allegorical Film Adaptation

Film Criticism, Fall 2002, Vol.27(1), pp.50-65,84 [Peer Reviewed Journal]

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Verdens Undergang (1916) and the Birth of Apocalyptic Film: Antecedents and Causative Forces

Journal of Religion and Film, Oct 2016, Vol.20(3), pp.0_1,0_2,1-42 [Peer Reviewed Journal]

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"A Working Class Hero(ine) Is Something to Be": Affliction, The Dreamlife of Angels, and the Naturalist Tradition

Film Criticism, Fall 2002, Vol.27(1), pp.36-49,84 [Peer Reviewed Journal]

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Tangible Specters: 3-D Cinema in the 1910s

Film Criticism, Spring-Fall 2013, Vol.37/38(3/1), pp.87-116,168 [Peer Reviewed Journal]

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El museo (en el) impreso. Un acercamiento al Museo de cuadros de costumbres y variedades */THE MUSEUM WITHIN THE PRINTED (MUSEUM). AN APPROACH TO THE MUSEO DE CUADROS DE COSTUMBRES Y VARIEDADES/O MUSEU (NEL) IMPRESSO. UMA ABORDAGEM AO MUSEO DE CUADROS DE COSTUMBRES Y VARIEDADES

Cuadernos de Música, Artes Visuales y Artes Escénicas, Jul-Dec 2015, Vol.10(2), pp.107-130 [Peer Reviewed Journal]

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