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Fotografías de amas de leche en Bahía. Evidencia visual de los aportes africanos a la familia esclavista en Brasil

Nomadas (Colombia), Oct 2011, Issue 35 [Peer Reviewed Journal]

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Death and Digital Photography

Cultural Studies Review, Mar 2011, Vol.17(1), pp.125-145 [Peer Reviewed Journal]

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FRIDA KAHLO Y EL POSADO FOTOGRÁFICO/FRIDA KAHLO AND THE PHOTOGRAPHIC POSING

Area Abierta, 2011, Issue 28, pp.1-19

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Belmiro, o realismo e a fotografia ou a significaçâo da insignificancia

Orbis Tertius, 2008, Vol.13(14) [Peer Reviewed Journal]

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Ori Gersht This Storm Is What We Call Progress

Journal of Science and Technology of the Arts, Vol.4(1), pp.86-88

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The challenge of dry eye diagnosis

Clinical Ophthalmology, Vol.2(1), pp.31-55 [Peer Reviewed Journal]

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From the Prophet to postmodernism? New world orders and the end of Islamic art

Journal of Art Historiography, Jun 2012, Issue 6, pp.0_1,31-53

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The National Gallery of Victoria - recent publications

Journal of Art Historiography, Jun 2011, Issue 4, pp.1-7

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Nature, landscape and identity in the Netherlands Indies: Literary constructions of being Dutch in the tropics

Bijdragen tot de Taal-, Land- en Volkenkunde, 2008, Vol.164(1), p.13 [Peer Reviewed Journal]

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Hysteria, Doctor-Patient Relationships, and Identity Boundaries in Siri Hustvedt's What I Loved

Gender Forum, 2009, Issue 25 [Peer Reviewed Journal]

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by this Author/Contributor:

  1. José Afonso Da Silva Jr
  2. Eduardo Queiroga
  3. Ellison, David
  4. Schnettler, Bernt
  5. Roberts, Brian

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